Hopkinson Smith, Johann Sebastian Bach made "Partita I BWV 1002 In a Minor - Tempo di Borrea" available on 2007. Since Partita I BWV 1002 In a Minor - Tempo di Borrea is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 21 in A Portrait by Hopkinson Smith. Partita I BWV 1002 In a Minor - Tempo di Borrea is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Partita I BWV 1002 In a Minor - Tempo di Borrea by Hopkinson Smith, Johann Sebastian Bach is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande - Arr. for Luth | Johann Sebastian Bach, Hopkinson Smith | D♭ Major | 0 | 3B | 128 BPM | ||
Fantasía para Desenbolver las Maños | Alonso Mudarra, Hopkinson Smith | E Major | 1 | 12B | 98 BPM | ||
Recercar No. 3 dal settimo tono | Francesco da Milano, Hopkinson Smith | C Major | 1 | 8B | 86 BPM | ||
Tiento | Alonso Mudarra, Shirley Rumsey | F Major | 0 | 7B | 106 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
Sonata in B minor, Op.4, No.12: 1. Preludio (Largo) | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | D♭ Major | 1 | 3B | 172 BPM | ||
Fantasía. Glosa Sobre un Kyrie (Tiento del Tercero tono) | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 101 BPM | ||
3e livre de viole: Fantaisie | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A Major | 3 | 11B | 115 BPM | ||
Can She Excuse, P. 42 / The Right Honourable Robert, Earl of Essex, His Galliard, P. 42a | John Dowland, Bor Zuljan | F Minor | 1 | 4A | 109 BPM |
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