Introductions - Live At Embassy Auditorium, Los Angeles/1946
Norman Granz
Bird: The Complete Charlie Parker On Verve
2:16 October 25, 1990
BPM
97
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Introductions - Live At Embassy Auditorium, Los Angeles/1946 - Norman Granz Information

Acousticness
79%
Danceability
29%
Energy
97%
Instrumentalness
0%
Liveness
65%
Loudness
78%
Speechiness
52%
Valence
2%
Popularity
Loudness
-12.969 dB

Summary

"Introductions - Live At Embassy Auditorium, Los Angeles/1946" by Norman Granz was released on October 25, 1990. The duration of Introductions - Live At Embassy Auditorium, Los Angeles/1946 is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Introductions - Live At Embassy Auditorium, Los Angeles/1946's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 176 in Bird: The Complete Charlie Parker On Verve by Charlie Parker. In terms of popularity, Introductions - Live At Embassy Auditorium, Los Angeles/1946 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Introductions - Live At Embassy Auditorium, Los Angeles/1946 BPM

The tempo marking of Introductions - Live At Embassy Auditorium, Los Angeles/1946 by Norman Granz is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Introductions - Live At Embassy Auditorium, Los Angeles/1946 Key

This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
So Long Mom by Adam Kay, Amateur TransplantsSo Long MomAdam Kay, Amateur TransplantsF Major57B156 BPM
Woodchoppers Ball by Woody Herman, Tito PuenteWoodchoppers BallWoody Herman, Tito PuenteD♭ Major33B163 BPM
The Dickhead Song by Miles BettermanThe Dickhead SongMiles BettermanD♭ Major33B126 BPM
Stealing an Overcoat by Bernard ManningStealing an OvercoatBernard ManningG Major89B89 BPM
Hugore by Curtis FullerHugoreCurtis FullerE♭ Major45B116 BPM
Norman Granz Announcement #2 - Live At Carnegie Hall, New York/1949 by Norman GranzNorman Granz Announcement #2 - Live At Carnegie Hall, New York/1949Norman GranzD♭ Major53B0 BPM
A Blessing And A Curse by Harry Connick, Jr.A Blessing And A CurseHarry Connick, Jr.G Minor26A106 BPM
Bugle Blues (feat. Buck Clayton & Don Byas) - 78rpm Version by Count Basie & His All American Rhythm Section, Buck Clayton, Don ByasBugle Blues (feat. Buck Clayton & Don Byas) - 78rpm VersionCount Basie & His All American Rhythm Section, Buck Clayton, Don ByasE♭ Major45B111 BPM
Everything I've Got Belongs To You by Benny Goodman TrioEverything I've Got Belongs To YouBenny Goodman TrioF Major67B120 BPM
Day In - Day Out by Stan LeveyDay In - Day OutStan LeveyG Major19B80 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5373210906982422

End: 0.5415277481079102