Charlie Chaplin, David Desimpelaere, Erik Desimpelaere's 'Smile (From "Modern Times") [Arr. E. Desimpelaere for Double Bass & Piano]' came out on February 2, 2018. The duration of Smile (From "Modern Times") [Arr. E. Desimpelaere for Double Bass & Piano] is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Smile (From "Modern Times") [Arr. E. Desimpelaere for Double Bass & Piano]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Smile". In this album, this song's track order is #26. In terms of popularity, Smile (From "Modern Times") [Arr. E. Desimpelaere for Double Bass & Piano] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Smile (From "Modern Times") [Arr. E. Desimpelaere for Double Bass & Piano] by Charlie Chaplin, David Desimpelaere, Erik Desimpelaere having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pierre Et Hélène | Philippe Sarde | A Minor | 0 | 8A | 140 BPM | ||
Medley (Laszlo / As Time Goes By / Orders / Die Wacht Am Rhein / Motor / Ilsa Returns / Telephone / Deutschland Über Alles / La Marseillaise / Plane) | The Warner Bros. Studio Orchestra | F Major | 2 | 7B | 99 BPM | ||
Harry Line (De "The Third Man") | American West Orchestra | G Major | 3 | 9B | 156 BPM | ||
Curtain | Dario Marianelli | D Minor | 4 | 7A | 68 BPM | ||
Le style du Barry | Stephen Warbeck | G Minor | 2 | 6A | 79 BPM | ||
Youkali | Kurt Weill, Ludwig Orchestra, Barbara Hannigan | D Minor | 2 | 7A | 115 BPM | ||
High Noon - Theme | Dimitri Tiomkin | E♭ Major | 1 | 5B | 136 BPM | ||
Le Parc De Plaisir | Francois Parisi | B♭ Minor | 2 | 3A | 138 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
Les collines | Vladimir Cosma, Orchestre Philharmonique de Paris | B♭ Major | 2 | 6B | 130 BPM |
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