"4 Sacred Hymns for Male Voice & Orchestra: No. 2, Te lucis ante terminum" by Goffredo Petrassi, Giorgio Berrugi, Orchestra Teatro Regio Torino, Gianandrea Noseda was released on January 27, 2015. The duration of 4 Sacred Hymns for Male Voice & Orchestra: No. 2, Te lucis ante terminum is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 4 Sacred Hymns for Male Voice & Orchestra: No. 2, Te lucis ante terminum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Petrassi: Works for Voices & Orchestra". In this album, this song's track order is #5. 4 Sacred Hymns for Male Voice & Orchestra: No. 2, Te lucis ante terminum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Sacred Hymns for Male Voice & Orchestra: No. 2, Te lucis ante terminum by Goffredo Petrassi, Giorgio Berrugi, Orchestra Teatro Regio Torino, Gianandrea Noseda having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kaddish: Part II, The Holocaust: What a Beautiful Place You Have Here | Lawrence Siegel, Maria Jette, Krista J. Palmquist, Anders Eckman, James Bohn, VocalEssence Chorus, VocalEssence Ensemble Singers, Philip Brunelle | A Major | 1 | 11B | 0 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Dragons d'Alcalo | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | G Major | 0 | 9B | 108 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Partita: I. Gagliarda | Goffredo Petrassi, Gianandrea Noseda, Orchestra of Teatro Regio | A Minor | 1 | 8A | 143 BPM | ||
Resitatiivi, Kun Jeesus Oli Ruokkinut | Joose Vähäsöyrinki, Markku Liukkonen, Heikki Rainio | C Minor | 1 | 5A | 76 BPM | ||
Suoni Notturni | Goffredo Petrassi, Eliot Fisk | A Minor | 0 | 8A | 116 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Elijah, Op. 70: "Be Not Afraid, Saith God the Lord" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | G Major | 3 | 9B | 132 BPM |
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