On April 26, 2019, the song "Concerto in 7 Parts, in D Major Op. 3 No. 1: I. Allegro" was released by William Babell, Maurice Steger, La Cetra. With Concerto in 7 Parts, in D Major Op. 3 No. 1: I. Allegro being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Maurice Steger, La Cetra's "Mr Handel's Dinner" album is number 24 out of 31. Based on our statistics, Concerto in 7 Parts, in D Major Op. 3 No. 1: I. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto in 7 Parts, in D Major Op. 3 No. 1: I. Allegro by William Babell, Maurice Steger, La Cetra to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Sonates meleese de pieces, Op. 2: V. Sonata in D major "La Chauvet”: VI. Gavotta "La Dedale" | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A♭ Major | 0 | 4B | 119 BPM | ||
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340: II. Affetuoso | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | E Major | 0 | 12B | 64 BPM | ||
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: IV. Vivace | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | B Minor | 6 | 10A | 124 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Recorder Concerto No. 9 in A Minor: II. Largo | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 1 | 1A | 126 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 4, HWV 315: III. Allegro | George Frideric Handel, Concerto Copenhagen, Lars Ulrik Mortensen | D♭ Minor | 2 | 12A | 103 BPM | ||
Concerto in A Major, Op. 3 No. 4: I. Allegro | William Babell, Anna Stegmann, Eva Saladin, Nadine Henrichs, Ensemble Odyssee | F Minor | 1 | 4A | 87 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM |
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