Johann Sebastian Bach, Alon Sariel's 'Cello Suite No. 2, BWV 1008: I. Prelude Cello Suite No. 1, BWV 1007 (Arr. for Liuto Attiorbato by Alon Sariel)' came out on June 24, 2022. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Plucked Bach - Cello Suites". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Cello Suite No. 2, BWV 1008: I. Prelude Cello Suite No. 1, BWV 1007 (Arr. for Liuto Attiorbato by Alon Sariel) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Suite No. 2, BWV 1008: I. Prelude Cello Suite No. 1, BWV 1007 (Arr. for Liuto Attiorbato by Alon Sariel) by Johann Sebastian Bach, Alon Sariel having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM | ||
Passemezzo … nei boschi del Re | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 102 BPM | ||
Sonata in D Minor, K. 32 (Arr. for Guitar by Michael Lewin) | Domenico Scarlatti, Miloš Karadaglić | E Minor | 0 | 9A | 110 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibt meine Freude (Chorus) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | G Major | 1 | 9B | 66 BPM | ||
Variations on a Theme by Robert Schumann, Op. 9: Var. 3, Tempo di tema | Johannes Brahms, Mari Kodama | C Major | 1 | 8B | 90 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
Sonata in F Minor, K. 466 (Arr. for Guitar by Michael Lewin) | Domenico Scarlatti, Miloš Karadaglić | E Minor | 1 | 9A | 130 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM |
Section: 0.7440392971038818
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