Felix Mendelssohn, Gwyneth Jones, New Philharmonia Chorus, Wandsworth School Boys Choir, Rafael Frühbeck de Burgos, New Philharmonia Orchestra's 'Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 1: No. 11, Chorus, "Baal, We Cry to Thee"' came out on 1968. The duration of Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 1: No. 11, Chorus, "Baal, We Cry to Thee" is about 3 minutes long, at 3:23. Based on our data, "Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 1: No. 11, Chorus, "Baal, We Cry to Thee"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 46 in Elijah - Mendelssohn by Felix Mendelssohn, Rafael Frühbeck de Burgos/Dame Gwyneth Jones/Simon Woolf/Dame Janet Baker/Nicolai Gedda/Dietrich Fischer-Dieskau/Wandsworth School Boys' Choir/New Philharmonia Chorus/New Philharmonia Orchestra, Rafael Frühbeck de Burgos, New Philharmonia Orchestra. Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 1: No. 11, Chorus, "Baal, We Cry to Thee" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 1: No. 11, Chorus, "Baal, We Cry to Thee" by Felix Mendelssohn, Gwyneth Jones, New Philharmonia Chorus, Wandsworth School Boys Choir, Rafael Frühbeck de Burgos, New Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM |
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