Steve Reich, The Steve Reich Ensemble, Paul Hillier made "Act 3 - The Binding of Isaac" available on June 3, 1997. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Works 1965-1995 by Steve Reich. The song's track number on the album is #16 out of 83 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Act 3 - The Binding of Isaac's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Act 3 - The Binding of Isaac by Steve Reich, The Steve Reich Ensemble, Paul Hillier has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Act 3 - The Binding of Isaac being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Number Man | Johann Sebastian Bach, Paul de Jong | A♭ Major | 3 | 4B | 144 BPM | ||
Duet for two Solo Violins and String Orchestra (Dedicated to and written for Yehudi Menuhin) | Steve Reich, Kristjan Järvi | F Major | 3 | 7B | 124 BPM | ||
Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM | ||
WTC 9/11 for String Quartet and Pre-Recorded Voices and String: III. WTC | Steve Reich, Jeanne-Marie Conquer, Diego Tosi, GREGOIRE SIMON, Eric Maria Couturier, Matthias Pintscher | A♭ Major | 0 | 4B | 67 BPM | ||
T. On A White Horse | Eberhard Weber | A♭ Minor | 1 | 1A | 126 BPM | ||
Threads: IV. Aria - | Paul Lansky, Sō Percussion | D Major | 1 | 10B | 128 BPM | ||
Sacrificial Code | Kali Malone | F♯ Minor | 0 | 11A | 68 BPM | ||
Music for 18 Musicians (modular version): Section II | Steve Reich, Ensemble Signal | A Major | 5 | 11B | 110 BPM | ||
Movement 5 | Floating Points, Pharoah Sanders, London Symphony Orchestra | C Minor | 2 | 5A | 105 BPM | ||
In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 0 | 8B | 139 BPM |
Section: 0.638479471206665
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