"The Whole Booke of Psalmes: Psalm 4, "Oxford Tune"" by Thomas Ravenscroft, Richard Muenz was released on January 1, 2004. The duration of The Whole Booke of Psalmes: Psalm 4, "Oxford Tune" is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. The Whole Booke of Psalmes: Psalm 4, "Oxford Tune"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 34 in Ainsworth, H.: Bay Book of Psalmes (The) / Coolidge, P.S.: Pioneer Dances (A Gift To Be Simple - Music for Early America) by Gregg Smith Singers, Walter Susskind, Siegfried Landau. The Whole Booke of Psalmes: Psalm 4, "Oxford Tune" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Whole Booke of Psalmes: Psalm 4, "Oxford Tune" by Thomas Ravenscroft, Richard Muenz is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ola, o che bon eccho! | Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 1 | 2A | 63 BPM | ||
Gather Ye Rosebuds | William Lawes, Sylvain Bergeron, Suzie LeBlanc, Les Voix Humaines | A♭ Minor | 1 | 1A | 141 BPM | ||
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
Khorhoot Khorin: O, Mystery Deep (Choir) | Paros Chamber Choir, Raffi Mikaelian | F♯ Minor | 0 | 11A | 62 BPM | ||
Mass for five voices: Mass for five voices: I. Kyrie | William Byrd, Ora Singers | C Minor | 1 | 5A | 95 BPM | ||
Tarantellas I (Arr. for Recorders and Baroque Guitar by Miriam Nerval) | Palisander, Toby Carr | G Minor | 1 | 6A | 73 BPM | ||
Beatus vir | Levente Gyöngyösi, Pro Musica, Szabó Dénes | C Major | 1 | 8B | 106 BPM | ||
Missa pro defunctis: V. Sanctus | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Major | 3 | 11B | 80 BPM | ||
Stranger | Yuri Alexandrovich Falik, Latvian Radio Choir, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
Let thy merciful ears | Unknown, Choir of Clare College, Cambridge, Timothy Brown | E Major | 0 | 12B | 72 BPM |
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