"Préludes / Book 1, L. 117: X. La cathédrale engloutie" by Claude Debussy, Arturo Benedetti Michelangeli was released on 1978. Since Préludes / Book 1, L. 117: X. La cathédrale engloutie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 12 in Debussy: Préludes I by Claude Debussy, Arturo Benedetti Michelangeli. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Préludes / Book 1, L. 117: X. La cathédrale engloutie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes / Book 1, L. 117: X. La cathédrale engloutie by Claude Debussy, Arturo Benedetti Michelangeli is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in A Major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A Major | 2 | 11B | 105 BPM | ||
Pièces froides / II. Danses de travers: 1. En y regardant à deux fois | Hélène Grimaud | A Minor | 0 | 8A | 72 BPM | ||
Vif | Ravel, Arturo Benedetti Michelangeli | D Major | 2 | 10B | 123 BPM | ||
Ogives: 2. | Erik Satie, Reinbert de Leeuw | B Minor | 0 | 10A | 131 BPM | ||
Mazurka No. 25 in B Minor, Op. 33 No. 4: Mesto (II) | Frédéric Chopin, Arturo Benedetti Michelangeli | A Major | 0 | 11B | 126 BPM | ||
4 Ballades, Op. 10: No. 1 in D Minor | Johannes Brahms, Arturo Benedetti Michelangeli | G Minor | 0 | 6A | 136 BPM | ||
Sonata in C Minor, K. 11 | Domenico Scarlatti, Arturo Benedetti Michelangeli | C Minor | 0 | 5A | 99 BPM | ||
Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM | ||
4 Lyric Pieces, Op. 74: No. 2 Sanfter Westwind (Gentle West Wind) | Jean Sibelius, Håvard Gimse | F♯ Major | 0 | 2B | 78 BPM | ||
Préludes / Book 1, L. 117: I. Danseuses de Delphes | Claude Debussy, Arturo Benedetti Michelangeli | E Minor | 0 | 9A | 63 BPM |
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