Joseph Banowetz, Anton Rubinstein's 'No. 10 Mazurka In D Minor' came out on May 16, 1991. The duration of No. 10 Mazurka In D Minor is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. No. 10 Mazurka In D Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Rubinstein: Piano Music Vol. 1, Album De Peterhof, Op. 75". In this album, this song's track order is #10. The popularity of No. 10 Mazurka In D Minor is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With No. 10 Mazurka In D Minor by Joseph Banowetz, Anton Rubinstein having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Demon: Act I: (Scene 3) Introduction and Chorus | Anton Rubinstein, Anatoly Lochak, Alison Browner, Marina Mescheriakova, Leonid Zimnenko, Valeriy Serkin, Richard Robson, Ludmilla Andrew, Wjacheslav Weinorowski, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Alexander Anissimov | B♭ Major | 1 | 6B | 87 BPM | ||
Concert Étude, Op. 35: No. 2, Automne | Máire Carroll | D♭ Major | 1 | 3B | 69 BPM | ||
33 Miniatures for Piano (Excerpts): No. 32, Sostenuto | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 76 BPM | ||
ショパン:ワルツ第11番 変ト長調 作品70の1(遺作) | タチアナ・シェバノワ | E Minor | 0 | 9A | 108 BPM | ||
Satie: Parade: Prestidigitateur chinois | Erik Satie, Gautier Capuçon, Alexandre Tharaud | B Minor | 0 | 10A | 111 BPM | ||
Adios Nonino Cadenza | John Sawoski | A♭ Major | 1 | 4B | 72 BPM | ||
Crimean Sketches, Series 1, Op. 9 (Arr. for Piano): No. 3. Chanson a boire | Aleksandr Spendiaryan, Mikael Ayrapetyan | A Major | 1 | 11B | 110 BPM | ||
The Seasons, Op. 37a: V. May. Les nuits de mai. Andantino | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | F Major | 1 | 7B | 118 BPM | ||
Humoresques De Concert, Op. 14: No. 6, Cracovienne Fantastique - Duo-Art S-30738 | Ignacy Jan Paderewski, Ethel Herr Litchfield, Peter Phillips | D Major | 1 | 10B | 69 BPM | ||
Valse de rien | Christian Schittenhelm, Peter Jablonski | G Major | 2 | 9B | 77 BPM |
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