"Preludio Op. 28 No. 4 "The Painroom"" by Frédéric Chopin, Ezio Bosso was released on October 30, 2015. The duration of Preludio Op. 28 No. 4 "The Painroom" is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Preludio Op. 28 No. 4 "The Painroom"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The 12th Room". In this album, this song's track order is #6. Preludio Op. 28 No. 4 "The Painroom" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Preludio Op. 28 No. 4 "The Painroom" by Frédéric Chopin, Ezio Bosso having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passaggio | Ludovico Einaudi | B Minor | 0 | 10A | 83 BPM | ||
12 Études, Op. 10: No. 5 in G-Flat Major "Black Keys" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
16 Waltzes, Op. 39: No. 9 In D Minor | Johannes Brahms, Idil Biret | B♭ Major | 0 | 6B | 62 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM | ||
Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | ||
Violin Concerto No. 2 in G Minor, Op. 131: II. Adagio quasi andante | Benjamin Godard, Chloë Hanslip, Slovak State Philharmonic Orchestra, Kosice, Kirk Trevor | D Major | 1 | 10B | 167 BPM | ||
Symphony No. 3 in F Major, Op. 90: 3. Poco allegretto | Johannes Brahms, Staatskapelle Berlin, Daniel Barenboim | C Minor | 0 | 5A | 170 BPM |
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