"Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio" by Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp was released on June 4, 2013. With this song being about 5 minutes long, at 4:39, "Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio" by Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Weber, Mozart & Hummel: Bassoon Concertos by Matthias Rácz, Johannes Klumpp. The song's track number on the album is #2 out of 10 tracks. Based on our data, Germany was the country where this track was produced or recorded. Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio by Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 155: II. Romanza: Andante | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | G Minor | 0 | 6A | 86 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | ||
Country Dance (arr. for violin and piano) | Anonymous, Carl Maria von Weber, Takako Nishizaki, Terence Dennis | C Minor | 1 | 5A | 78 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Horn Sonata in F Major, Op. 17: II. Poco adagio, quasi andante | Ludwig van Beethoven, Albert Linder, Ingemar Bergfelt | B♭ Major | 0 | 6B | 70 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Ligeti: 6 Bagatelles for Wind Quintet: I. Allegro con spirito | György Ligeti, Les Vents Français | C Major | 2 | 8B | 173 BPM | ||
3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
Souvenir de Florence, Op. 70 TH 118: I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D♭ Major | 1 | 3B | 82 BPM |
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