"Nocturne et allegro scherzando: II. Allegro scherzando" by Philippe Gaubert, Kenneth Smith, Paul Rhodes was released on August 1, 2013. The duration of Nocturne et allegro scherzando: II. Allegro scherzando is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Nocturne et allegro scherzando: II. Allegro scherzando's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 14 in Flute Vocalise: Beloved Concert Classics by Kenneth Smith. Nocturne et allegro scherzando: II. Allegro scherzando is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Nocturne et allegro scherzando: II. Allegro scherzando by Philippe Gaubert, Kenneth Smith, Paul Rhodes is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lacrymosa from Mozart's Requiem, S. 550 (Arr. for Piano by Franz Liszt) | Wolfgang Amadeus Mozart, Mao Fujita | D Minor | 1 | 7A | 104 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Valentina Igoshina | B♭ Minor | 0 | 3A | 73 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Serenade in C Major, Op. 48: III. Elegie | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D Major | 1 | 10B | 89 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
Concerto for Strings in G Minor, RV 156: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Allegro Scherzando | Philippe Gaubert, Samuel Sanders, Paula Robison | F Minor | 1 | 4A | 76 BPM | ||
Suite pour flûte et piano: II. Berceuse orientale | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | F♯ Minor | 0 | 11A | 93 BPM | ||
Mobiles: Lent | André Chailleux, Camille Saint-Saëns, Florent Schmitt, Guillaume Balay, Henri Büsser, Jeanine Rueff, Marcel Bitsch, Philippe Gaubert, Theo Charlier, Hannes Läubin, Lukas Maria Kuen | F Major | 0 | 7B | 71 BPM |
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