- BPM
- 172
- Key
- E♭ Major
- Camelot
- 5B
Choral Dances from “Gloriana”: Time and Concord - Benjamin Britten, The King's Singers Information
- Acousticness
- 96%
- Danceability
- 20%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 1%
- Loudness
- -20.907 dB
Summary
"Choral Dances from “Gloriana”: Time and Concord" by Benjamin Britten, The King's Singers was released on June 4, 2012. With Choral Dances from “Gloriana”: Time and Concord being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Royal Rhymes and Rounds". In this album, this song's track order is #19. The popularity of Choral Dances from “Gloriana”: Time and Concord is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Choral Dances from “Gloriana”: Time and Concord BPM
With Choral Dances from “Gloriana”: Time and Concord by Benjamin Britten, The King's Singers having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Choral Dances from “Gloriana”: Time and Concord Key
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | |
 | Slovak Suite, Op. 32: III. The Lovers. Andante quasi allegretto | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | E♭ Major | 0 | 5B | 76 BPM | |
 | Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Les Illuminations, Op. 18: VII. Being beauteous | Benjamin Britten, Sir Peter Pears, English Chamber Orchestra | G Major | 1 | 9B | 65 BPM | |
 | Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 82 BPM | |
 | Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | |
 | Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | |
 | Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | |
 | Brook Green Suite: III. Dance | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6021549701690674
End: 0.6074495315551758