Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maximilian Schmitt, Philipp Kaven, Stephan Gähler's 'Johannes-Passion, BWV 245, Pt. 1: XII. Und Hannas sandte ihn gebunden (Recitative)' came out on February 14, 2020. The duration of Johannes-Passion, BWV 245, Pt. 1: XII. Und Hannas sandte ihn gebunden (Recitative) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Johannes-Passion, BWV 245, Pt. 1: XII. Und Hannas sandte ihn gebunden (Recitative)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 40 in Bach: Johannes-Passion, BWV 245 by Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Johannes-Passion, BWV 245, Pt. 1: XII. Und Hannas sandte ihn gebunden (Recitative) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Johannes-Passion, BWV 245, Pt. 1: XII. Und Hannas sandte ihn gebunden (Recitative) by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maximilian Schmitt, Philipp Kaven, Stephan Gähler is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (2) Recitativo (Tenore): Er Kommt, Der Bräutgam Kommt | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Johann Sebastian Bach, Ruth Holton, Sytse Buwalda, Pieter Jan Leusink | B Minor | 0 | 10A | 81 BPM | ||
I. Ich Hab In Gottes Herz Und Sinn BWV 92, Aria (Soprano): Meinem Hirten Bleib Ich Treu | Pieter Jan Leusink, Ofer Frenkel, Bas Ramselaar, Ruth Holton, Sytse Buwalda, Amsterdam Classics B.V., Knut Schoch, Louis Van Emmerik, Johann Sebastian Bach, Holland Boys Choir; Netherlands Bach Collegium, Jean Van Vugt, Peter Frankenberg, Frank Wakelkamp | A Major | 2 | 11B | 76 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 26, Rezitativ. "Und er kam und fand sie aber schlafen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Christoph Prégardien, Dietrich Henschel, Matthias Goerne, Concentus Musicus Wien | C Minor | 1 | 5A | 130 BPM | ||
I. Gott Ist Mein König BWV 71, 2. Aria (Soprano, Tenore): Ich Bin Nun Achtzig Jahr | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach, Knut Schoch, Frank Aarnink, Rien Voskuilen, Peter Frankenberg, Ofer Frenke, Ruth Holton, Vaughan Schlepp, Anneke Boeke, Katherin Steddon, Bas Ramselaar, Pieter Jan Leusink | F Minor | 0 | 4A | 92 BPM | ||
Concerto No. 5 In D Major BWV1050 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
St. John Passion, BWV 245: Part I: Recitative: Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 0 | 2B | 74 BPM | ||
Ach Gott, vom Himmel sieh darein, BWV 2: Chorale: Das wollst du, Gott, bewahren rein (Chorus) | Johann Sebastian Bach, Daniel Taylor, James Gilchrist, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 71 BPM | ||
Matthäus Passion, Prima Parte: 13. Aria (Soprano): Ich Will Dir Mein Herze Schenken | Stephen Cleobury, Michael George, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, Martyn Hill, Emma Kirkby, Choir of King's College, Cambridge, David Thomas | F♯ Major | 0 | 2B | 72 BPM | ||
II. Der Friede Sei Mit Dir BWV 158, 4. Choral (Coro): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Pieter Jan Leusink | E♭ Minor | 1 | 2A | 144 BPM | ||
III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend | Pieter Jan Leusink, Louis Van Emmerik, Marjon Strijk, Bas Ramselaar, Susan Williams, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman | B Minor | 1 | 10A | 126 BPM |
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