"Ballade, Op. 24 in G Minor (Variations on a Norwegian Melody) - Duo-Art 7437" by Edvard Grieg, Peter Phillips, Percy Grainger was released on July 25, 2023. Ballade, Op. 24 in G Minor (Variations on a Norwegian Melody) - Duo-Art 7437 appears to be safe for all ages as it is not explicit. The track order of this song in Peter Phillips, E. Robert Schmitz, Déodat de Séverac, Claude Debussy, Alexander Glazunov, Eugene Goossens, Cyril Scott, Joachim Raff, Edward MacDowell, Henry Rowley Bishop, Edvard Grieg, George Enescu, Maurice Ravel's "L'après-Midi D'un Faune: Piano Evocations from the Golden Age (Extended Edition)" album is number 7 out of 11. On top of that, Germany appears to be the country where this track was created. Ballade, Op. 24 in G Minor (Variations on a Norwegian Melody) - Duo-Art 7437 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ballade, Op. 24 in G Minor (Variations on a Norwegian Melody) - Duo-Art 7437 by Edvard Grieg, Peter Phillips, Percy Grainger to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Home, Sweet Home - Piano Transcription by Thalberg, Welte-Mignon 1534 | Henry Rowley Bishop, Peter Phillips, Edward Brightwell | D♭ Major | 1 | 3B | 73 BPM | ||
3 Fantaisies, Op. 16: No. 2, Scherzo in E Minor | Felix Mendelssohn, Xaver Scharwenka, Peter Phillips | E Minor | 2 | 9A | 92 BPM | ||
Etudes, Op. 10: No. 3 in E Major, 'Tristesse' - Duo-Art 6524 | Frédéric Chopin, Peter Phillips, Alfred Cortot | E Major | 0 | 12B | 71 BPM | ||
Preludes, Op. 9, No. 10: Cantabile | Theodor Kirchner, Yaara Tal | C Major | 0 | 8B | 69 BPM | ||
Fantasiestucke, Op. 12: No. 3, Warum? - Welte-Mignon 168 | Robert Schumann, Carl Reinecke, Peter Phillips | B♭ Major | 1 | 6B | 103 BPM | ||
Inca Nocturne No. 5 - Duo-Art 6191 | Carlos Valderrama, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
3 Mozart Transformations, After Poulenc: I. Minuet, K. 1 | Stephen Hough | A Minor | 0 | 8A | 66 BPM | ||
Evening Songs, B. 61: No. 8, You Little, Tiny Birds, Op. 31 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A♭ Major | 0 | 4B | 69 BPM | ||
Etudes, Op. 10: No. 5 in G♭ Major, 'Black Keys' - Duo-Art 8022 | Frédéric Chopin, Peter Phillips, Ignacy Jan Paderewski | F Major | 0 | 7B | 67 BPM | ||
Une Tabatiere a Musique, Op. 32 (Musical Snuffbox) - Welte-Mignon 780 | Anatoly Lyadov, Hedwig Kirsch, Peter Phillips | F♯ Major | 0 | 2B | 70 BPM |
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