Jerome Kern made "You Couldn't Be Cuter" available on January 1, 2002. The duration of You Couldn't Be Cuter is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. You Couldn't Be Cuter's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jerome Kern's "Life Upon the Wicked Stage" album is number 8 out of 33. On top of that, United States appears to be the country where this track was created. The popularity of You Couldn't Be Cuter is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of You Couldn't Be Cuter by Jerome Kern to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
With A Smile And A Song (From "Snow White And The Seven Dwarfs") | Larry Morey, Frank E. Churchill, Reginald Pursglove And His Orchestra | A♭ Major | 1 | 4B | 128 BPM | ||
Tea For Two | Charlie Kunz | F♯ Major | 0 | 2B | 167 BPM | ||
The Land Where the Good Songs Go | Rebecca Luker, Matthew Scott, Kate Baldwin, Philip Chaffin, Heidi Blickenstaff, Graham Rowat | E♭ Major | 2 | 5B | 145 BPM | ||
Emperor Waltz | The New 101 Strings Orchestra | C Major | 2 | 8B | 177 BPM | ||
Otto e mezzo - Suite: 1. Titoli | Nino Rota, Filarmonica della Scala, Riccardo Chailly | E Major | 2 | 12B | 138 BPM | ||
Kansas City Stomp | Jelly Roll Morton, Morten Gunnar Larsen | E♭ Major | 2 | 5B | 100 BPM | ||
I Can't Help Remembering You | Anita Kerr | E♭ Major | 4 | 5B | 101 BPM | ||
I'll Be Seeing You | Ronnie Aldrich, The Strings of the London Festival Orchestra | C Major | 2 | 8B | 110 BPM | ||
Show Boat, Act One Scene One: Niggers all work on de Mississippi | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | A Major | 3 | 11B | 94 BPM | ||
Woodchopper's Ball | Woody Herman & His Orchestra | F Minor | 4 | 4A | 180 BPM |
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