"Messe solennelle, Op. 16: IV. Benedictus" by Louis Vierne, James O'Donnell, Andrew Reid, Joseph Cullen, Westminster Cathedral Choir was released on February 1, 1997. The duration of Messe solennelle, Op. 16: IV. Benedictus is about 3 minutes long, at 3:28. Based on our data, "Messe solennelle, Op. 16: IV. Benedictus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vierne, Widor & Dupré: Choral Music by Westminster Cathedral Choir, Louis Vierne, James O'Donnell, Marcel Dupré, Charles-Marie Widor. The song's track number on the album is #4 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Messe solennelle, Op. 16: IV. Benedictus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messe solennelle, Op. 16: IV. Benedictus by Louis Vierne, James O'Donnell, Andrew Reid, Joseph Cullen, Westminster Cathedral Choir has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messe solennelle, Op. 16: IV. Benedictus being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Golden Age Begins Anew: II. Prayer (Ni ud ebi) | Karl Jenkins, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | G Major | 1 | 9B | 91 BPM | ||
String Quartet No. 1 in D Minor: III. Adagio | Nancy Dalberg, Nordic String Quartet, Heiðrun Petersen, Mads Haugsted Hansen, Daniel Eklund, Lea Emilie Brøndal | G Minor | 0 | 6A | 104 BPM | ||
Sortie in G Minor | Louis James Alfred Lefébure-Wély, Daniel Roth | F Major | 4 | 7B | 78 BPM | ||
12 Preludes, Op. 36: No. 5. Nostalgie: Andante con moto | Louis Vierne, Olivier Gardon | C Minor | 0 | 5A | 90 BPM | ||
Rhosymedre - No 2 of Three Preludes founded on Welsh Hymn Tunes | Ralph Vaughan Williams, William McVicker | G Major | 0 | 9B | 61 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM |
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