Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd's 'Concerto Grosso: Burlesca Ostinata' came out on July 9, 2003. The duration of Concerto Grosso: Burlesca Ostinata is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Concerto Grosso: Burlesca Ostinata's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: Fantasias / Norfolk Rhapsody / In the Fen Country / Concerto Grosso by Ralph Vaughan Williams, James Judd. The song's track number on the album is #6 out of 9 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Concerto Grosso: Burlesca Ostinata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto Grosso: Burlesca Ostinata by Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto Grosso: Burlesca Ostinata being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM | ||
Belshazzar's Feast, JS 48: Act II: Prelude: Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 81 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Symphony No. 7: Sinfonia Antartica: V. Epilogue (Alla marcia, moderato ma non troppo) | Ralph Vaughan Williams, Sir John Gielgud, Margaret Ritchie, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | C Major | 2 | 8B | 84 BPM | ||
The Swan of Tuonela, Op. 22, No. 3 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | A Minor | 1 | 8A | 75 BPM | ||
Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Major | 0 | 8B | 89 BPM | ||
Mass in G Minor: Agnus Dei | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 2, Elegy | Frederick Delius, Gerald Peregrine, Antony Ingham | D Major | 0 | 10B | 169 BPM |
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