"Die Walküre, WWV 86B / Act 3: "Leb wohl, du kühnes, herrliches Kind"" by Richard Wagner, Robert Hale, Cleveland Orchestra, Christoph von Dohnányi was released on July 1, 1997. The duration of Die Walküre, WWV 86B / Act 3: "Leb wohl, du kühnes, herrliches Kind" is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Die Walküre, WWV 86B / Act 3: "Leb wohl, du kühnes, herrliches Kind"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Die Walküre by Richard Wagner, Christoph von Dohnányi, Gabriele Schnaut, Robert Hale, Poul Elming, Alessandra Marc, Alfred Muff, Anja Silja, Cleveland Orchestra. The song's track number on the album is #41 out of 43 tracks. Die Walküre, WWV 86B / Act 3: "Leb wohl, du kühnes, herrliches Kind" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B / Act 3: "Leb wohl, du kühnes, herrliches Kind" by Richard Wagner, Robert Hale, Cleveland Orchestra, Christoph von Dohnányi has a tempo of 0 beats per a minute, the tempo markings of this song would be Larghissimo. With Die Walküre, WWV 86B / Act 3: "Leb wohl, du kühnes, herrliches Kind" being at 0 BPM, the half-time would be 0 BPM with a double-time of 0 BPM.In addition, we consider the tempo speed to be pretty slow for this song.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): II. The Bureaucrat (Polka) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 1 | 8B | 142 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Die Walküre, WWV 86B, Act III Scene 1: Walkürenritt - Hojotoho! Heiaha! (Live) | Richard Wagner, Alwyn Mellor, Anna Gabler, Jennifer Johnston, Claudia Huckle, Katherine Broderick, Eva Vogel, Anna Lapkovskaja, Simone Schröder, Bavarian Radio Symphony Orchestra, Sir Simon Rattle | G Major | 3 | 9B | 97 BPM | ||
Eine Alpensinfonie: VI. Auf dem Gipfel | Richard Strauss, Bernard Haitink, London Symphony Orchestra | C Major | 1 | 8B | 78 BPM | ||
Rigoletto: Overture (Preludio) | Giuseppe Verdi, London Symphony Orchestra, Richard Bonynge | C Major | 0 | 8B | 72 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM |
Section: 0.6551339626312256
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