Jean-Baptiste Lully, Guy De Mey, Agnes Mellon, Les Arts Florissants, William Christie's 'Atys, Acte I, Scène 6: "Si l'hymen unissait" (Atys et Sangaride)' came out on February 28, 1987. With Atys, Acte I, Scène 6: "Si l'hymen unissait" (Atys et Sangaride) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 17 out of 74. In terms of popularity, Atys, Acte I, Scène 6: "Si l'hymen unissait" (Atys et Sangaride) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Atys, Acte I, Scène 6: "Si l'hymen unissait" (Atys et Sangaride) by Jean-Baptiste Lully, Guy De Mey, Agnes Mellon, Les Arts Florissants, William Christie to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: I. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM |
Section: 0.6127362251281738
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