Leonardo Leo, Tafelmusik Baroque Orchestra, Anner Bylsma, Jeanne Lamon's ' "Cello Concerto No. 3 in D Minor: IV. Allegro" was released on its scheduled release date, January 1, 1997. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leonardo Leo, Tafelmusik Baroque Orchestra, Jeanne Lamon, Anner Bylsma's "Leo: Six Cello Concertos" album is number 17 out of 25. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Cello Concerto No. 3 in D Minor: IV. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cello Concerto No. 3 in D Minor: IV. Allegro by Leonardo Leo, Tafelmusik Baroque Orchestra, Anner Bylsma, Jeanne Lamon to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach, CPE: Symphonies, Wq. 183: No. 3 in F Major: III. Presto | Carl Philipp Emanuel Bach, Ton Koopman, Amsterdam Baroque Orchestra | A Major | 0 | 11B | 170 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Sonata seconda du IIème Livre de Sonates à violon seul et basse continue: Andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 135 BPM | ||
Sey tausenmahl willkommen, TWV 13: 9a | Georg Philipp Telemann, Wu Wei, Holland Baroque | D Major | 1 | 10B | 97 BPM | ||
Fasch : Symphony in G major : IV Presto | Johann Friedrich Fasch, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 2 | 10B | 129 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Le Nozze di Iole ed Ercole, Parte Prima: VII. Aria (Alceo) "Sorgi, vieni" | Leonardo Leo, Christoph Hammer, Neue Hofkapelle München | E♭ Major | 4 | 5B | 113 BPM |