"Chi mi tolse alle sfere! ... Lumi potete piangere" by Giovanni Legrenzi, Simone Kermes, Enrico Casazza was released on March 4, 2016. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Simone Kermes's "Love" album is number 11 out of 17. On top of that, United States appears to be the country where this track was created. Chi mi tolse alle sfere! ... Lumi potete piangere is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chi mi tolse alle sfere! ... Lumi potete piangere by Giovanni Legrenzi, Simone Kermes, Enrico Casazza to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un sonno ohimè | Marco Marazzoli, Eva Zaïcik, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 169 BPM | ||
Rossi: Il palazzo incantato, Prologue: "Vaghi rivi" (Pittura) | Luigi Rossi, Christina Pluhar, Véronique Gens | G Minor | 1 | 6A | 109 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Sonate a 2-3, Op. 2: La Cornara a due violini | Giovanni Legrenzi, Clematis | C Major | 2 | 8B | 115 BPM | ||
Te Deum "de Lyon": III. Te gloriosus apostolorum chorus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Il ritorno d'Ulisse in patria: PROLOGUE, "Mortal cosa son io" (L'Umana Fragilità) | Claudio Monteverdi, René Jacobs, Dominique Visse, Michael Schopper, Lorraine Hunt Lieberson, Martina Bovet, Concerto Vocale | A Minor | 1 | 8A | 120 BPM | ||
Psyche, Act I Scene 1: Symphony of rustick musick representing an eccho | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
La divisione del mondo: Lumi, potete piangere (Transcr. for Chamber Ensemble) | Giovanni Legrenzi, Combo CAM, Viola Blache, Friederike Merkel, Babett Niclas, Antje Nürnberger, Hannes Malkowski, Martin Steuber | D Major | 1 | 10B | 81 BPM | ||
Mystery (Rosary) Sonata No. 3, "The Nativity": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B♭ Minor | 1 | 3A | 173 BPM | ||
Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM |
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