Andrew Lloyd Webber, "Sunset Boulevard" 1995 Canadian Cast's 'Car Chase' came out on January 1, 1995. With Car Chase being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Sunset Boulevard (Original Canadian Cast Recording)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Car Chase's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Car Chase by Andrew Lloyd Webber, "Sunset Boulevard" 1995 Canadian Cast having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paris Holds the Key (To Your Heart) | John Bolton, Derek Klena, Christy Altomare, Anastasia Company | A Minor | 2 | 8A | 173 BPM | ||
You Are My Home | Christine Andreas | B Major | 3 | 1B | 89 BPM | ||
Facade | Ensemble | D Minor | 5 | 7A | 94 BPM | ||
Suddenly, Seymour | Rick Moranis, Ellen Greene, Michelle Weeks, Tichina Arnold, Tisha Campbell | A Major | 3 | 11B | 115 BPM | ||
Blow, Gabriel, Blow | Sutton Foster, Shina Ann Morris, Kimberly Fauré, Jennifer Savelli, Joyce Chittick, 'Anything Goes' New Broadway Cast Ensemble | C Minor | 5 | 5A | 109 BPM | ||
Finale: There's Always A Tomorrow (feat. Kate Shindle & James Barbour) | Jeremy Roberts, Frank Wildhorn, James Barbour, Kate Shindle | E Minor | 4 | 9A | 85 BPM | ||
Devil Take The Hindmost | Andrew Lloyd Webber | F Minor | 3 | 4A | 98 BPM | ||
We'll Meet Tomorrow | Maury Yeston, Brian D'Arcy James, Martin Moran, Don Stephenson, Titanic Ensemble, Kevin Stites | E Major | 3 | 12B | 66 BPM | ||
Oh, Better Far to Live and Die | The Pirates Of Penzance | F♯ Major | 4 | 2B | 107 BPM | ||
Suddenly - Reprise | Eddie Redmayne, Amanda Seyfried | E♭ Major | 0 | 5B | 82 BPM |
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