Pini di Roma, P. 141: I. I pini di Villa Borghese
Ottorino Respighi, John Neschling, Orquestra Sinfônica do Estado de São Paulo
Respighi: Orchestral Works
2:41 September 1, 2010
BPM
137
Key
G Major
Camelot
9B

Embed

Share Link

Pini di Roma, P. 141: I. I pini di Villa Borghese - Ottorino Respighi, John Neschling, Orquestra Sinfônica do Estado de São Paulo Information

Acousticness
98%
Danceability
15%
Energy
5%
Instrumentalness
88%
Liveness
7%
Loudness
63%
Speechiness
4%
Valence
4%
Popularity
Loudness
-22.238 dB

Summary

"Pini di Roma, P. 141: I. I pini di Villa Borghese" by Ottorino Respighi, John Neschling, Orquestra Sinfônica do Estado de São Paulo was released on September 1, 2010. The duration of Pini di Roma, P. 141: I. I pini di Villa Borghese is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Pini di Roma, P. 141: I. I pini di Villa Borghese's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 82 in the song's album "Respighi: Orchestral Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Pini di Roma, P. 141: I. I pini di Villa Borghese's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pini di Roma, P. 141: I. I pini di Villa Borghese BPM

With Pini di Roma, P. 141: I. I pini di Villa Borghese by Ottorino Respighi, John Neschling, Orquestra Sinfônica do Estado de São Paulo having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Pini di Roma, P. 141: I. I pini di Villa Borghese Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
24 Preludes, Op. 11: No. 4 in E Minor by Alexander Scriabin, Evgeny Zarafiants24 Preludes, Op. 11: No. 4 in E MinorAlexander Scriabin, Evgeny ZarafiantsF Major17B99 BPM
4 Liriche su parole di poeti armeni, P. 132 (arr. Adriano): Mattino di luce by Ottorino Respighi, Adriano, Vladimir Havran, Gabriel Koncer, Frantisek Kovacs, Ivan Paulicka, Michal Sintal, Denisa Šlepkovská, Katarina Vavrekova, Ivan Viskup4 Liriche su parole di poeti armeni, P. 132 (arr. Adriano): Mattino di luceOttorino Respighi, Adriano, Vladimir Havran, Gabriel Koncer, Frantisek Kovacs, Ivan Paulicka, Michal Sintal, Denisa Šlepkovská, Katarina Vavrekova, Ivan ViskupB♭ Major16B83 BPM
Lohengrin: Prelude by Richard Wagner, Slovak Philharmonic, Michael HalaszLohengrin: PreludeRichard Wagner, Slovak Philharmonic, Michael HalaszA Major011B75 BPM
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) by Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra)Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred HoneckG Major09B103 BPM
Dreaming, Op. 15 No. 3 by Amy Beach, AmbacheDreaming, Op. 15 No. 3Amy Beach, AmbacheF Major07B75 BPM
Notturno for Strings and Harp by Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane BertheNotturno for Strings and HarpArnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane BertheA♭ Major14B75 BPM
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo by Karol Szymanowski, Krystian Zimerman9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppoKarol Szymanowski, Krystian ZimermanG Minor06A78 BPM
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach by Franz Schubert, Mischa Maisky, Daria HovoraDie schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der BachFranz Schubert, Mischa Maisky, Daria HovoraG Major09B96 BPM
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian WatsonD Major310B99 BPM
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso by Antonín Dvořák, Peter BreinerSymphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto graziosoAntonín Dvořák, Peter BreinerG Major19B179 BPM
ISRC
SEAER1020050
Label
L-M Records/RCA Records

Section: 0.6644177436828613

End: 0.6695959568023682