"Pini di Roma, P. 141: I. I pini di Villa Borghese" by Ottorino Respighi, John Neschling, Orquestra Sinfônica do Estado de São Paulo was released on September 1, 2010. The duration of Pini di Roma, P. 141: I. I pini di Villa Borghese is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Pini di Roma, P. 141: I. I pini di Villa Borghese's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 82 in the song's album "Respighi: Orchestral Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Pini di Roma, P. 141: I. I pini di Villa Borghese's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pini di Roma, P. 141: I. I pini di Villa Borghese by Ottorino Respighi, John Neschling, Orquestra Sinfônica do Estado de São Paulo having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
4 Liriche su parole di poeti armeni, P. 132 (arr. Adriano): Mattino di luce | Ottorino Respighi, Adriano, Vladimir Havran, Gabriel Koncer, Frantisek Kovacs, Ivan Paulicka, Michal Sintal, Denisa Šlepkovská, Katarina Vavrekova, Ivan Viskup | B♭ Major | 1 | 6B | 83 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM |
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