"Confitemini domino" by Carlo Filago, Constanze Backes, Gerlinde Samann, Instrumenta Musica was released on 2008. With this song being about 5 minutes long, at 4:33, "Confitemini domino" by Carlo Filago, Constanze Backes, Gerlinde Samann, Instrumenta Musica is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "O vos amici mei carissimi". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Confitemini domino is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Confitemini domino by Carlo Filago, Constanze Backes, Gerlinde Samann, Instrumenta Musica having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
In solitare arene: "Lo strale di Cupido" | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Tenuisti manum, MH 695 | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 74 BPM | ||
Caro amante | Corrado Bonfiglio, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
L'Orfeo, Atto secondo: III. Ahi, caso acerbo! | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Sara Mingardo, Francesc Garrigosa, Carlos Mena, Le Concert Des Nations | G Major | 0 | 9B | 73 BPM | ||
La Giuditta: Part I: Recitative: Nutrice, al fato Assiro cedo Bettulia (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
Christ lag in Todesbanden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Vox Luminis, Lionel Meunier | E Minor | 0 | 9A | 108 BPM | ||
Alcidiane: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 165 BPM | ||
La Villanella, Prima parte, Pensieri amorosi: V. Ite sospiri miei | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel | G Minor | 1 | 6A | 120 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (b) Libera eas de ore leonis | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | A Major | 2 | 11B | 114 BPM |
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