Jean-Philippe Rameau, Les Talens Lyriques, Amel Brahim-Djellul, Christophe Rousset's 'Zaïs, Acte I, Scène 4: Dieu, souverain des dieux que l'Univers encense (La grande Prêtresse)' came out on September 3, 2015. With Zaïs, Acte I, Scène 4: Dieu, souverain des dieux que l'Univers encense (La grande Prêtresse) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 80 in the song's album "Rameau: Zaïs". In this album, this song's track order is #23. In terms of popularity, Zaïs, Acte I, Scène 4: Dieu, souverain des dieux que l'Univers encense (La grande Prêtresse) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zaïs, Acte I, Scène 4: Dieu, souverain des dieux que l'Univers encense (La grande Prêtresse) by Jean-Philippe Rameau, Les Talens Lyriques, Amel Brahim-Djellul, Christophe Rousset having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM |
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