Peter Schmalfuss's 'Deux Arabesques ( " Two Arabesques " ), No. 2 in G-Major' came out on 1990. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Peter Schmalfuss, Vienna Radio Symphony Orchestra, Milan Horvath's "Music For The Millions Vol. 6 - Debussy / De Falla" album is number 9 out of 12. On top of that, Germany appears to be the country where this track was created. Deux Arabesques ( " Two Arabesques " ), No. 2 in G-Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Deux Arabesques ( " Two Arabesques " ), No. 2 in G-Major by Peter Schmalfuss to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for Piano and Orchestra No. 2 in C Minor, Op. 18: I. Moderato - Allegro | Sergei Rachmaninoff, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra, Yekaterina Sarantseva | A♭ Major | 2 | 4B | 70 BPM | ||
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM | ||
Klaviersonate No. 2 in A Major, Op. 21: I. Allegro asai - Molto appassionato | Karol Szymanowski, Peter Schmalfuss | A Major | 3 | 11B | 106 BPM | ||
Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | ||
Handel: Concerto Grosso in B Minor, HWV 330: III. Larghetto e piano | George Frideric Handel, Yehudi Menuhin, Bath Festival Orchestra | E Major | 1 | 12B | 83 BPM | ||
Skizzen für Klavier, Op. 4: No. 4, Beharrliches Streben | Bedřich Smetana, Peter Schmalfuss | G Major | 2 | 9B | 96 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Tango (arr. Godowsky) | Isaac Albéniz, Moura Lympany | D Major | 0 | 10B | 69 BPM | ||
Serra Gelada | Giovanni Renzo, Conexion Films | F Minor | 1 | 4A | 68 BPM | ||
Polonaise de Concert in D, Op. 4 | Henryk Wieniawski, Nikolaj Znaider | D Major | 2 | 10B | 178 BPM |
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