Evergreen Symphony Orchestra, Kevin Galiè's 'La Bayadere, Act I, Scene 2: 19. "Pantomime - Gamzatti with Veil"' came out on February 26, 2018. With La Bayadere, Act I, Scene 2: 19. "Pantomime - Gamzatti with Veil" being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 19 out of 53. La Bayadere, Act I, Scene 2: 19. "Pantomime - Gamzatti with Veil" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act I, Scene 2: 19. "Pantomime - Gamzatti with Veil" by Evergreen Symphony Orchestra, Kevin Galiè to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concertino in E-Flat Major, Op. 23: II. Andante | Franz Paul Lachner, Chia-Hua Hsu, Evergreen Symphony Orchestra, Gernot Schmalfuss | G Major | 0 | 9B | 83 BPM | ||
Aleko: Men's Dance | Sergei Rachmaninoff, Mariana Zvetkova, Andreana Nikolova, Boiko Zvetanov, Alexander Tekeliev, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
Jeux d'enfants: No. 8. Les Quatre Coins (version for orchestra) | Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 117 BPM | ||
Romeo and Juliet, Op.64 - Act 2: Romeo Decides To Avenge Mercutio - Finale | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Minor | 4 | 5A | 114 BPM | ||
Sinfonia in E-Flat Major: III. Menuetto - Maestoso | Theodor, Freiherr von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | E♭ Major | 1 | 5B | 105 BPM | ||
Coppelia: Act III - La paix (Pas de deux) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 71 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto: Women's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 89 BPM | ||
Paquita: Variation 1: Tempo di valse (by Delibes) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 94 BPM | ||
Le Sacre du Printemps / Pt 2: Le Sacrifice: 3. Glorification d'élue | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
Spartacus, Act I: Phrygia's dance and scene of separation (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Minor | 1 | 9A | 111 BPM |
Section: 0.6254208087921143
End: 0.6386754512786865