"Kermesse in Bruges , "The Three Gifts": Act II Scene 1: Carelis and Eleonore" by Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. The duration of Kermesse in Bruges , "The Three Gifts": Act II Scene 1: Carelis and Eleonore is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Kermesse in Bruges , "The Three Gifts": Act II Scene 1: Carelis and Eleonore's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, Kermesse in Bruges , "The Three Gifts": Act II Scene 1: Carelis and Eleonore's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kermesse in Bruges , "The Three Gifts": Act II Scene 1: Carelis and Eleonore by Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fille Mal Gardee: Pas de (arr. March): Act II: Allegro moderato: Coda | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 84 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | F Major | 1 | 7B | 104 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 5. Spacírka. Poco Adagio - Vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 4 | 3B | 84 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
Act I: Entree Of Kitri (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 172 BPM | ||
La Bayadere, Act II: 32. "Wedding Variation - Solor" | Evergreen Symphony Orchestra, Kevin Galiè | G Major | 1 | 9B | 164 BPM | ||
Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | C Major | 3 | 8B | 134 BPM | ||
The Two Pigeons Act 1 | André Messager, John Lanchbery, Royal Ballet Sinfonia, Barry Wordsworth | A Major | 1 | 11B | 136 BPM | ||
Helsted / Paulli : Napoli (Music to the Bournonville's Ballet), Act 3: Pas de six, 4. First Gentleman's Solo (Allegro vivo) | Eduard Helsted, Holger Simon Paulli, Niels Gade, London Festival Ballet Orchestra, Terence Kern, Orchestra of the London Festival Ballet | D Major | 3 | 10B | 127 BPM |
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