Jean-Jacques-Baptiste Anet, Théotime Langlois de Swarte, Justin Taylor made "Sonata for Violin and Continuo No. 11 in C Minor: II. Allemanda. Andante" available on October 14, 2022. With Sonata for Violin and Continuo No. 11 in C Minor: II. Allemanda. Andante being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Justin Taylor, Théotime Langlois de Swarte's "Les frères Francœur" album is number 6 out of 31. On top of that, France appears to be the country where this track was created. Based on our statistics, Sonata for Violin and Continuo No. 11 in C Minor: II. Allemanda. Andante's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Sonata for Violin and Continuo No. 11 in C Minor: II. Allemanda. Andante by Jean-Jacques-Baptiste Anet, Théotime Langlois de Swarte, Justin Taylor to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
6 Sonatas, ZWV 81, No. 6 in C Minor: II. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | A♭ Major | 2 | 4B | 101 BPM | ||
Violin Concerto in E Major, RV 269 "La primavera": II. Largo | Antonio Vivaldi, Le Concert de la Loge, Julien Chauvin | F♯ Major | 6 | 2B | 139 BPM | ||
Scarlatti, D: Keyboard Sonata in G Minor, Kk. 30 "Cat's Fugue" | Domenico Scarlatti, Scott Ross | E Major | 0 | 12B | 135 BPM | ||
Sonata in G Minor, Z. 780: I. Adagio - Allegro - Largo - Vivace | Henry Purcell, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Trio Sonata in A Minor, Op. 1 No. 3, BuxWV 254: II. Allegro - III. Lento - IV. Vivace | Dietrich Buxtehude, Filament | E♭ Minor | 4 | 2A | 111 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Musicalischer Parnassus: Terpsichore, Suite No. 7: I. Tastada | Johann Caspar Ferdinand Fischer, Luc Beauséjour | F♯ Major | 2 | 2B | 93 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM |
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