Thomas Arne, Anne Collins/Liverpool Philharmonic Choir/Edmund Walters/Royal Liverpool Philharmonic Orchestra/Sir Charles Groves, Sir Charles Groves, Royal Liverpool Philharmonic Orchestra's 'Rule, Britannia! (arr. Sir Malcolm Sargent) - 1990 Remastered Version' came out on March 6, 2006. Rule, Britannia! (arr. Sir Malcolm Sargent) - 1990 Remastered Version is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Rule, Britannia!". In this album, this song's track order is #15. Rule, Britannia! (arr. Sir Malcolm Sargent) - 1990 Remastered Version is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rule, Britannia! (arr. Sir Malcolm Sargent) - 1990 Remastered Version by Thomas Arne, Anne Collins/Liverpool Philharmonic Choir/Edmund Walters/Royal Liverpool Philharmonic Orchestra/Sir Charles Groves, Sir Charles Groves, Royal Liverpool Philharmonic Orchestra having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Superman: March | John Williams, Royal Liverpool Philharmonic Orchestra, Carl Davis | C Major | 6 | 8B | 88 BPM | ||
Last Post | The Band Of The Irish Guards | F Major | 0 | 7B | 82 BPM | ||
Toccata And Fugue In D Minor, BWV 565: I. Toccata | Johann Sebastian Bach, Wolfgang Rübsam | D Minor | 2 | 7A | 129 BPM | ||
Hungarian Rhapsody | Robert Wells | D Minor | 7 | 7A | 162 BPM | ||
Bilagers Musiquen, Drottningholmsmusique: Allegro | Johan Helmich Roman, Uppsala Chamber Orchestra | D Major | 3 | 10B | 118 BPM | ||
Germany (Deutschland Uber Alles) | The Global Entertainment Group | E♭ Major | 2 | 5B | 112 BPM | ||
Under ronn och syren ('Neath Mountain Ash and Lilac) | Herman Palm, Orphei Drängar, Robert Sund | F♯ Major | 0 | 2B | 73 BPM | ||
I denna ljuva sommartid | Anders Öhrwall, Göteborgs Gosskör, Henrik Mossberg, Fredrik Sixten | E♭ Major | 1 | 5B | 88 BPM | ||
Franck / Arr. Sandré: Mass, Op. 12, FWV 61: Panis Angelicus | César Franck, Halle Choir, Hallé, Maurice Handford | A Major | 1 | 11B | 85 BPM | ||
H.M.S. Pinafore / Act 1: We shall sail the ocean blue | Arthur Sullivan, The D'Oyly Carte Opera Company, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 100 BPM |
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