"Debussy: 6 Épigraphes antiques, L. 131: III. Pour que la nuit soit propice (Lent et expressif)" by Claude Debussy, Emmanuel Pahud was released on April 1, 2000. The duration of Debussy: 6 Épigraphes antiques, L. 131: III. Pour que la nuit soit propice (Lent et expressif) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Debussy: 6 Épigraphes antiques, L. 131: III. Pour que la nuit soit propice (Lent et expressif)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Pahud plays Debussy, Ravel & Prokofiev". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Debussy: 6 Épigraphes antiques, L. 131: III. Pour que la nuit soit propice (Lent et expressif) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Debussy: 6 Épigraphes antiques, L. 131: III. Pour que la nuit soit propice (Lent et expressif) by Claude Debussy, Emmanuel Pahud having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Petite suite, L65: En bateau | Claude Debussy, Lestari Scholtes, Gwylim Janssens | G Major | 0 | 9B | 67 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Images, Set 1, L. 110: Reflets dans L'eau | Claude Debussy, Martin Jones | D♭ Major | 0 | 3B | 69 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 135 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM |
Section: 0.6658110618591309
End: 0.6701076030731201