"Requiem to the memory of Luiz Vaz de Camos Op. 23, Agnus Dei: Requiem aeternam" by João Domingos Bomtempo, Michel Corboz was released on November 25, 2005. With Requiem to the memory of Luiz Vaz de Camos Op. 23, Agnus Dei: Requiem aeternam being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michel Corboz, Orquestra Gulbenkian, Coro Gulbenkian's "Haydn: Missa Sanctae Caeciliae/Bomtempo: Requiem" album is number 15 out of 33. Requiem to the memory of Luiz Vaz de Camos Op. 23, Agnus Dei: Requiem aeternam is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem to the memory of Luiz Vaz de Camos Op. 23, Agnus Dei: Requiem aeternam by João Domingos Bomtempo, Michel Corboz to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Bass Concerto in D Major: II. Adagio | Johann Baptist Vanhal, Zsolt Fejervari, Budapest Ferenc Erkel Chamber Orchestra | A Major | 0 | 11B | 122 BPM | ||
Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur | Joseph Haydn, Patricia Rozario, Catherine Robbin, The English Concert Choir, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 141 BPM | ||
Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | ||
Messa di Gloria: II. Gloria | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | E♭ Major | 1 | 5B | 66 BPM | ||
Sinfonia Concertante in C Major: II. Romance | Johann Wilhelm Wilms, Harmonie Universelle, Andreas Spering | E♭ Major | 0 | 5B | 92 BPM | ||
Punto: Horn Concerto No. 5 in F Major: II. Adagio | Giovanni Punto, Barry Tuckwell | F Minor | 0 | 4A | 83 BPM | ||
Stabat Mater, FP 148: II. Cujus animam gementem | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | B♭ Minor | 3 | 3A | 75 BPM | ||
Overture in D Major, Op. 4 No. 6, WKO 12: III. Presto | Carl Friedrich Abel, Kölner Akademie, Michael Alexander Willens | A♭ Major | 2 | 4B | 159 BPM | ||
Psalm 42, Op. 42: III. Recitativo "Meine Tränen sind" | Felix Mendelssohn, Ruth Ziesak, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | A Minor | 1 | 8A | 110 BPM | ||
Petite messe solennelle: Et resurrexit | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | E Major | 2 | 12B | 137 BPM |
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