Walter Van Brunt made "When I Was 21 and You Were Sweet 16 - When I Was Twenty-one and You Were Sweet Sixteen" available on January 1, 1961. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Phono-Cylinders, Vol. 1: Edited by and from the Collection of George A. Blacker". In this album, this song's track order is #11. When I Was 21 and You Were Sweet 16 - When I Was Twenty-one and You Were Sweet Sixteen is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With When I Was 21 and You Were Sweet 16 - When I Was Twenty-one and You Were Sweet Sixteen by Walter Van Brunt having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Good-Bye Alexander | Ada Jones | A Minor | 5 | 8A | 104 BPM | ||
The Fable of the Rose | Glen Gray, Kenny Sargent, Casa Loma Orchestra | F Major | 3 | 7B | 187 BPM | ||
Westward Bound | Noble Sissle | B♭ Major | 3 | 6B | 113 BPM | ||
Everything's at Home Except Your Wife | Walter Van Brunt | G Major | 2 | 9B | 63 BPM | ||
Rose Room | Vic Meyers' Music | A Major | 3 | 11B | 102 BPM | ||
Russian Lullaby | Roger Wolfe Kahn & His Orchestra | F♯ Minor | 2 | 11A | 127 BPM | ||
The Parlor Is a Pleasant Place to Sit on Sunday Night | Frank Crumit | C Minor | 1 | 5A | 177 BPM | ||
At the Ten-Cent Movie Show | George Christie, Walter Van Brunt | A Major | 3 | 11B | 113 BPM | ||
Rain, Rain, Go Away | Anson Weeks & His Orchestra | G Major | 3 | 9B | 114 BPM | ||
Isn't It a Lovely Day? | Carroll Gibbons & His Boyfriends, Hildegarde | E Minor | 0 | 9A | 131 BPM |
Section: 0.4892914295196533
End: 0.4939754009246826