"The Incredible Flutist - Ballet Suite: 1. Introduction: Siesta in the Market Place" by Walter Piston, Joseph Mariano, The Eastman-Rochester Orchestra, Howard Hanson was released on January 1, 1992. With The Incredible Flutist - Ballet Suite: 1. Introduction: Siesta in the Market Place being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Eastman-Rochester Orchestra, Howard Hanson's "Howard Hanson Conducts American Masterworks" album is number 4 out of 33. The Incredible Flutist - Ballet Suite: 1. Introduction: Siesta in the Market Place is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Incredible Flutist - Ballet Suite: 1. Introduction: Siesta in the Market Place by Walter Piston, Joseph Mariano, The Eastman-Rochester Orchestra, Howard Hanson to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1: I. Allegro | Walter Piston, Harlem Quartet | D♭ Major | 1 | 3B | 146 BPM | ||
Suite for Oboe and Piano: III. Minuetto: Allegretto | Walter Piston, Pedja Muzijevic, Joseph Robinson | B Major | 3 | 1B | 97 BPM | ||
Norske eventyrbilleder (Scenes from Norwegian Fairy Tales), Op. 37: III - Entry of the Trolls into the Blue Mountain | Johan Halvorsen, Iceland Symphony Orchestra, Bjarte Engeset | C Major | 1 | 8B | 136 BPM | ||
Tout un monde lointain…: V. Hymne | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 24. A tempo un poco meno mosso | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | A Major | 1 | 11B | 101 BPM | ||
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": III. Ritual of Abduction | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM | ||
String Quartet No. 5: II. Adagio | Walter Piston, Harlem Quartet | D♭ Major | 0 | 3B | 111 BPM | ||
Tout un monde lointain…: II. Regard | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM |
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