"Cello Sonata No. 2 in D Major, Op. 58: III. Adagio" by Felix Mendelssohn, Mischa Maisky, Sergio Tiempo was released on January 1, 2002. With this song being about 5 minutes long, at 5:20, "Cello Sonata No. 2 in D Major, Op. 58: III. Adagio" by Felix Mendelssohn, Mischa Maisky, Sergio Tiempo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn, Mischa Maisky, Sergio Tiempo's "Mendelssohn: Cello Sonatas; Songs Without Words" album is number 3 out of 23. Cello Sonata No. 2 in D Major, Op. 58: III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Sonata No. 2 in D Major, Op. 58: III. Adagio by Felix Mendelssohn, Mischa Maisky, Sergio Tiempo to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |
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