"Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang)" by Richard Strauss, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1982. With Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "R. Strauss: Also Sprach Zarathustra/Ein Heldenleben". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) by Richard Strauss, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hogwarts' March | Patrick Doyle | C Major | 2 | 8B | 124 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
The Star and Stripes Forever | US Air Force Concert Band, Ceremonial Brass & Singing Sergeants | A♭ Major | 5 | 4B | 116 BPM | ||
The Surrender (La resa) | Ennio Morricone | E Minor | 5 | 9A | 102 BPM | ||
The End of Buster Scruggs | Carter Burwell | C Major | 2 | 8B | 142 BPM | ||
This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
Rabbia e Tarantella - Main Theme | Ennio Morricone | A Major | 4 | 11B | 105 BPM | ||
Elektra: Xx. Orest! | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | A♭ Major | 2 | 4B | 106 BPM | ||
Band Of Brothers Suite One - Instrumental | Michael Kamen, London Metropolitan Orchestra | D Major | 3 | 10B | 92 BPM | ||
Round Up | Nigel Westlake | G Major | 1 | 9B | 103 BPM |
Section: 0.8875319957733154
End: 0.892484188079834