On September 4, 2012, the song "Where's The Country In Our Country Music" was released by Gary P. Nunn. The duration of Where's The Country In Our Country Music is about 3 minutes long, at 3:01. Based on our data, "Where's The Country In Our Country Music" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "One Way Or Another". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Where's The Country In Our Country Music's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Where's The Country In Our Country Music by Gary P. Nunn having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Made in Japan | Dale Watson | D Major | 5 | 10B | 134 BPM | ||
Why Don't You Meet Me Down in Corpus | Gary P. Nunn, Roger Creager | D Major | 8 | 10B | 146 BPM | ||
Mayo and the Mustard | Jesse Daniel | F♯ Major | 8 | 2B | 82 BPM | ||
The Bridge Washed Out | Warner Mack | G Major | 5 | 9B | 151 BPM | ||
I-35 | Max Stalling | D♭ Major | 6 | 3B | 147 BPM | ||
If it Ain't Broke | Whitey Morgan and the 78's | G Major | 7 | 9B | 110 BPM | ||
Cryin' to Cryin' Time Again | Dale Watson, Ray Benson | C Major | 4 | 8B | 115 BPM | ||
What Would Willie Do | Bruce Robison | E Major | 5 | 12B | 115 BPM | ||
London Homesick Blues / Home With the Armadillo | Gary P. Nunn | G Major | 6 | 9B | 119 BPM | ||
There Stands The Glass -- Re-recording | Johnny Bush | C Major | 4 | 8B | 127 BPM |
Section: 0.4394872188568115
End: 0.4436039924621582