On 1990, the song "You Came A Long Way From St. Louis - Previously Unreleased Take" was released by Bill Jennings. The duration of You Came A Long Way From St. Louis - Previously Unreleased Take is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. You Came A Long Way From St. Louis - Previously Unreleased Take's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Stompin' With Bill". In this album, this song's track order is #3. Based on our statistics, You Came A Long Way From St. Louis - Previously Unreleased Take's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With You Came A Long Way From St. Louis - Previously Unreleased Take by Bill Jennings having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
At Last | Frank Catalano, Jimmy Chamberlin, David Sanborn | F Major | 2 | 7B | 169 BPM | ||
Silver's Blue | Horace Silver | C Minor | 3 | 5A | 135 BPM | ||
St Louis Blues | Fats Waller | A Major | 3 | 11B | 177 BPM | ||
Anatole | Jean Bonal | D♭ Major | 2 | 3B | 89 BPM | ||
Dark Eyes | Bill Jennings, Jack McDuff | G Minor | 2 | 6A | 132 BPM | ||
Mighty Terror | Christopher Dominique | G Major | 0 | 9B | 95 BPM | ||
The Barnyard Boogie | Ray Gelato, The Enforcers | C Major | 6 | 8B | 109 BPM | ||
Jumpin' Jacques | Hampton Hawes | B♭ Major | 4 | 6B | 110 BPM | ||
Shiny Stockings | The Howard Roberts Quartet | C Major | 3 | 8B | 65 BPM | ||
Spit It Out | Burt Mitchell | E♭ Major | 2 | 5B | 126 BPM |
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