"Lorca Suite, Op.72: III. La luna asoma (The Moon)" by Einojuhani Rautavaara, Estonian Philharmonic Chamber Choir, Paul Hillier was released on 2002. The duration of Lorca Suite, Op.72: III. La luna asoma (The Moon) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Lorca Suite, Op.72: III. La luna asoma (The Moon)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 18 in Baltic Voices 1 by Estonian Philharmonic Chamber Choir, Paul Hillier. Based on our statistics, Lorca Suite, Op.72: III. La luna asoma (The Moon)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lorca Suite, Op.72: III. La luna asoma (The Moon) by Einojuhani Rautavaara, Estonian Philharmonic Chamber Choir, Paul Hillier is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
Hary Janos Suite: Háry János Suite: III. Song | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | G Major | 0 | 9B | 72 BPM | ||
Vigilia: No. 17, Tropari III | Einojuhani Rautavaara, Helsinki Chamber Choir, Nils Schweckendiek | G Minor | 3 | 6A | 84 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Double Concerto for 2 Violins, Op. 49: III. Variations on a Ground: Allegro | Gustav Holst, Janice Graham, Sarah Ewins, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 104 BPM | ||
Vigilia: Matins: Canon: Irmos No. 5 | Einojuhani Rautavaara, Jyrki Korhonen, Topi Lehtipuu, Pia Freund, Lilli Paasikivi, Petteri Salomaa, Finnish Radio Chamber Choir, Timo Nuoranne | C Minor | 4 | 5A | 74 BPM | ||
Ravel: String Quartet, M. 35: I. Allegro moderato - Très doux | Maurice Ravel, Quatuor Ébène | F Major | 1 | 7B | 118 BPM | ||
Viola Sonata: II. Vivace | Rebecca Clarke, Philip Dukes, Sophia Rahman | G Major | 1 | 9B | 67 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM |
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