Johann Kropfgans, Alberto Crugnola made "Partita in F Major: V. Menuett" available on March 6, 2012. With Partita in F Major: V. Menuett being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alberto Crugnola's "German Lute Music of the 18th Century" album is number 20 out of 95. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Partita in F Major: V. Menuett is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Partita in F Major: V. Menuett by Johann Kropfgans, Alberto Crugnola to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greensleeves | Anonymous, Andreas Arend | G Major | 0 | 9B | 86 BPM | ||
Divertimento in F Major: I. Larghetto | Johann Kropfgans, John Schneiderman, Elizabeth Blumenstock, William Skeen | B Minor | 1 | 10A | 79 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
[Suite en la majeur]: VI. Gavotte (No. 22) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 140 BPM | ||
Partita in F Major: II. Allegro moderato | Johann Kropfgans, Alberto Crugnola | A♭ Minor | 0 | 1A | 120 BPM | ||
Sonata in A Minor for Violin and Continuo, Op. 1 No. 6: IV. Tempo di Gavotta (From Cupis's Sonata, Op. 1 No. 2) | Jean-Baptiste Cupis, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Lute Concerto in C Minor: III. Allegro | Johann Kropfgans, John Schneiderman, Elizabeth Blumenstock, William Skeen | B Minor | 1 | 10A | 104 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): IV. A Merry Meeting | Tobias Hume, Matteo Cicchitti, Musica Elegentia | D♭ Minor | 0 | 12A | 94 BPM |
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