Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione
Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti
Gluck: Orfeo ed Euridice
0:26 1982
BPM
109
Key
D Major
Camelot
10B

Embed

Share Link

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione - Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti Information

Acousticness
94%
Danceability
41%
Energy
14%
Instrumentalness
87%
Liveness
13%
Loudness
68%
Speechiness
4%
Valence
78%
Popularity
Loudness
-19.313 dB

Summary

Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti made "Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione" available on 1982. With Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christoph Willibald Gluck, Riccardo Muti's "Gluck: Orfeo ed Euridice" album is number 9 out of 35. In terms of popularity, Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione BPM

We consider the tempo marking of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione by Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Violin Concerto No. 2 in E, BWV 1042: 1. Allegro by Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan JansenViolin Concerto No. 2 in E, BWV 1042: 1. AllegroJohann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan JansenB♭ Major16B99 BPM
Nocturne No. 2 in C Minor by John Field, Benjamin FrithNocturne No. 2 in C MinorJohn Field, Benjamin FrithC Minor05A67 BPM
Nocturne No. 1 in E Flat Major, H.24 by John Field, Elizabeth Joy RoeNocturne No. 1 in E Flat Major, H.24John Field, Elizabeth Joy RoeE♭ Major05B75 BPM
Orfeo ed Euridice, Act II Scene 2: Ballet Music, Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)Wilhelm Kempff, Christoph Willibald Gluck, Idil BiretF Major07B81 BPM
Keyboard Sonata in E Major, K. 380: Andante commodo by Domenico Scarlatti, Ivo PogorelichKeyboard Sonata in E Major, K. 380: Andante commodoDomenico Scarlatti, Ivo PogorelichB Major01B88 BPM
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 by Johann Sebastian Bach, Murray PerahiaIch ruf zu dir, Herr Jesu Christ, No. 5, BWV 639Johann Sebastian Bach, Murray PerahiaG Minor36A122 BPM
Piano Concerto in A Minor, Op.16: II. Adagio by Edvard Grieg, Javier Perianes, Sakari Oramo, BBC Symphony OrchestraPiano Concerto in A Minor, Op.16: II. AdagioEdvard Grieg, Javier Perianes, Sakari Oramo, BBC Symphony OrchestraD♭ Major03B93 BPM
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre by François Couperin, Iddo Bar-ShaïLa Petite Pince-Sans-Rire: 21ème ordre, 4ème livreFrançois Couperin, Iddo Bar-ShaïE Minor09A76 BPM
Abdelazar Suite, Z. 570: VI. Air by Henry Purcell, Camerata Nordica, Terje TonnesenAbdelazar Suite, Z. 570: VI. AirHenry Purcell, Camerata Nordica, Terje TonnesenG Minor26A131 BPM
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo by Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoRespighi: Pini di Roma, P. 141: III. I pini del GianicoloOttorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoE Major012B81 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7417676448822021

End: 0.7458767890930176