Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti made "Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione" available on 1982. With Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christoph Willibald Gluck, Riccardo Muti's "Gluck: Orfeo ed Euridice" album is number 9 out of 35. In terms of popularity, Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione by Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in E, BWV 1042: 1. Allegro | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | B♭ Major | 1 | 6B | 99 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | G Minor | 3 | 6A | 122 BPM | ||
Piano Concerto in A Minor, Op.16: II. Adagio | Edvard Grieg, Javier Perianes, Sakari Oramo, BBC Symphony Orchestra | D♭ Major | 0 | 3B | 93 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM |
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