On August 11, 2012, the song "Gimhanaye Pawela (Man Thama Waru Ganne)" was released by Radeesh Vandebona, Samantha Konara. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Gimhanaye Pawela (Man Thama Waru Ganne) and no other songs are present in the album, we classify this track as a single. On top of that, Sri Lanka appears to be the country where this track was created. In terms of popularity, Gimhanaye Pawela (Man Thama Waru Ganne) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Gimhanaye Pawela (Man Thama Waru Ganne) by Radeesh Vandebona, Samantha Konara to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bandimu Suda | Piyath Rajapakse, Lahiru De Costa | D♭ Minor | 9 | 12A | 76 BPM | ||
Naaree | Chinthy | B Minor | 9 | 10A | 101 BPM | ||
Oba hinda | Iraj, Samitha Mudunkotuwa | F♯ Major | 4 | 2B | 136 BPM | ||
Sihinayak ( Reya Pahan Kala ) | Nadeeka Jayawardana | D Major | 4 | 10B | 120 BPM | ||
Duka Wedi Nethe | Ruwan Hettiarachchi | D♭ Minor | 7 | 12A | 110 BPM | ||
Sithin witharak | Chamara Weerasinghe, Aradhana Ekanayaka | C Minor | 7 | 5A | 95 BPM | ||
Sanda Renu Galana | Theekshana Anuradha | A Minor | 5 | 8A | 110 BPM | ||
Mata Heenayak Wela | Damith Asanka, Sampath Fernandopulle | B Major | 6 | 1B | 88 BPM | ||
Nohithunata | Yuki Navaratne, Chamath Sangeeth, Yashodha Adhikari | A♭ Minor | 3 | 1A | 120 BPM | ||
Nura Wasanthe | Nadeemal Perera, Pasan Liyanage | F Major | 7 | 7B | 95 BPM |
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