Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton made "The Tale of Jemima Puddle-Duck: VI. Jemima landed clumsily…" available on November 1, 2005. The duration of The Tale of Jemima Puddle-Duck: VI. Jemima landed clumsily… is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. The Tale of Jemima Puddle-Duck: VI. Jemima landed clumsily…'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton, BBC Singers's "McNeff: Four Tales from Beatrix Potter" album is number 6 out of 46. On top of that, United Kingdom appears to be the country where this track was created. The popularity of The Tale of Jemima Puddle-Duck: VI. Jemima landed clumsily… is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Tale of Jemima Puddle-Duck: VI. Jemima landed clumsily… by Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton to be Prestissimo (even faster than presto) because the track has a tempo of 204 BPM, a half-time of 102BPM, and a double-time of 408 BPM. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Cats | Bernard Herrmann, Fernando Velázquez, Basque National Orchestral | D Minor | 4 | 7A | 79 BPM | ||
Symphony No. 2: January: Hope | Christian Lindberg, Göteborg Wind Orchestra | C Major | 3 | 8B | 97 BPM | ||
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM | ||
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
Im süßen Traum, Op. 31 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM | ||
The Wave of the Surging Thoughts: III. Song Without Words. Passion and Emotion | Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza | F Major | 2 | 7B | 166 BPM | ||
Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
Petrushka, K012 (1947 Version), Pt. 4, "The Shrovetide Fair (Evening)": I. The Shrovetide Fair | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B♭ Major | 2 | 6B | 122 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Sad Hour | Alessandro Gozzo, The Invader | F Minor | 0 | 4A | 57 BPM |
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