"Koto-Uta (1999) for voice and Koto" by Toshio Hosokawa, Kyoko Kawamura was released on January 1, 2001. Since Koto-Uta (1999) for voice and Koto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Toshio Hosokawa: Koto-Uta". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Austria. In terms of popularity, Koto-Uta (1999) for voice and Koto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Koto-Uta (1999) for voice and Koto by Toshio Hosokawa, Kyoko Kawamura having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade: I. In the Moonlight | Toshio Hosokawa, Shin-ichi Fukuda | B Minor | 0 | 10A | 80 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 0 | 8A | 104 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Celos (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Cello Concerto: I. Inizio | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Phasma for Piano | Luca Schettino | B Major | 1 | 1B | 113 BPM | ||
Vertical Time Study II (1993/1994) for tenor saxophone, piano and Percussion: Vertical Time Study II (1993/1994) for tenor saxophone, piano and Percussion | Toshio Hosokawa, Masanori Oishi, Saori Oya, Tomoko Kasai | F Major | 0 | 7B | 187 BPM | ||
Small Chant | Toshio Hosokawa, Lucas Fels | F Major | 0 | 7B | 86 BPM | ||
Lamentate: Solitudine - stato d'animo | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, SWR Symphony Orchestra | A♭ Minor | 0 | 1A | 90 BPM | ||
Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM |
Section: 0.7084603309631348
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