"Trinity Requiem: Offertory" by Robert Moran, Trinity Youth Chorus, Robert Ridgell was released on September 6, 2011. The duration of Trinity Requiem: Offertory is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Trinity Requiem: Offertory's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Trinity Requiem - Seven Sounds Unseen - Notturno in Weiss - Requiem for a Requiem". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Trinity Requiem: Offertory's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trinity Requiem: Offertory by Robert Moran, Trinity Youth Chorus, Robert Ridgell having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
Holy Spirit Mass: Blessed | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 2 | 6B | 58 BPM | ||
Abendlied | Conrad Beck, Basler Madrigalisten, Raphael Immoos | C Minor | 1 | 5A | 112 BPM | ||
Neli eesti hällilaulu "4 Estonian Lullabies": II. Marjal aega magada "It’s Time for the Little Berry to Sleep" | Veljo Tormis, Owain Park, The Gesualdo Six | F♯ Minor | 0 | 11A | 67 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Game of the Antichrist: Scene 5: Enoch and Elias (Enoch and Elias) | Robert Moran, Ensemble Chrismos, Andreas Fuchs, Roman Sladek, Sarah Cocco, Mathias Kamleiter, Andreas Gotz, Leander Kaiser, Jutta Kress, Manuel Eberle, Andreas Unterreiner, Beatrice Menz-Hermann, Alexander Hermann | E Minor | 0 | 9A | 73 BPM | ||
In Winter's House | Joanna Marsh, Owain Park, The Gesualdo Six | B♭ Major | 1 | 6B | 100 BPM | ||
To Be Sung Of A Summer Night On The Water | Frederick Delius, Handel & Haydn Society, Grant Llewellyn | B♭ Major | 0 | 6B | 76 BPM | ||
Veni, Emmanuel | Valter Maasalo, Lumen Valo | E Major | 1 | 12B | 85 BPM | ||
O Jesu Christe | Jakob van Berchem, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle | G Major | 1 | 9B | 80 BPM |
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