Joseph-Hector Fiocco, Scherzi Musicali, Nicolas Achten, Céline Vieslet, Reinoud Van Mechelen, Olivier Berten, Korneel Bernolet made "Salve regina: II. Ad te clamamus" available on 2011. With Salve regina: II. Ad te clamamus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 28 in Fiocco: Petits motets by Joseph-Hector Fiocco, Scherzi Musicali, Nicolas Achten. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Salve regina: II. Ad te clamamus is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Salve regina: II. Ad te clamamus by Joseph-Hector Fiocco, Scherzi Musicali, Nicolas Achten, Céline Vieslet, Reinoud Van Mechelen, Olivier Berten, Korneel Bernolet is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ode for St. Cecilia's Day, HWV 76: Interlude | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Romanian Folk Dances, Sz.56: I. Allegro moderato | Béla Bartók, Kurt Nikkanen, Rohan De Silva | A Minor | 0 | 8A | 80 BPM | ||
Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 3 | 9B | 108 BPM | ||
Benedicam Dominum: I. Benedicam Dominum | Joseph-Hector Fiocco, Scherzi Musicali, Nicolas Achten, Céline Vieslet, Korneel Bernolet | F Major | 3 | 7B | 118 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
Concerto Grosso in B Minor, Op. 6 No. 12, HWV 330: III. Aria. Larghetto e piano | George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck | E♭ Major | 1 | 5B | 127 BPM | ||
Violin Concerto No. 9 in A Minor, Op. 104: III. Rondo: Allegretto moderato | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | A Major | 1 | 11B | 84 BPM | ||
Troisième Lamentation du Mercredi saint: I. Jod - Manum suam | Joseph-Hector Fiocco, Ana Vieira Leite, Diana Vinagre, Ensemble Bonne Corde | G Minor | 1 | 6A | 93 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM |
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