"Variation 1 (Artsibushev)" by Jāzeps Vītols, Anatoly Lyadov, Alexander Glazunov, Nikolai Rimsky-Korsakov, Nikolai Artsibushev, Nikolay Sokolov, Moscow Symphony Orchestra, Dmitry Yablonsky was released on June 3, 2000. With Variation 1 (Artsibushev) being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alexander Glazunov, Dmitry Yablonsky's "Glazunov, A.K.: Orchestral Works, Vol. 14 - Piano Concertos Nos. 1 and 2" album is number 2 out of 10. On top of that, Hong Kong appears to be the country where this track was created. Variation 1 (Artsibushev) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variation 1 (Artsibushev) by Jāzeps Vītols, Anatoly Lyadov, Alexander Glazunov, Nikolai Rimsky-Korsakov, Nikolai Artsibushev, Nikolay Sokolov, Moscow Symphony Orchestra, Dmitry Yablonsky to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
Stabat Mater, FP 148: III. O quam tristis | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | F♯ Major | 0 | 2B | 91 BPM | ||
Variation 3 (Lyadov) | Alexander Glazunov, Jāzeps Vītols, Nikolai Artsibushev, Nikolay Sokolov, Nikolai Rimsky-Korsakov, Anatoly Lyadov, Moscow Philharmonic Orchestra, Dmitry Yablonsky | D Minor | 0 | 7A | 133 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Closing Scene. Slow – (The Caravan recedes farther and farther into the distance.) – (Dying away in the distance) | Frederick Delius, Ruairi Bowen, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | G Minor | 0 | 6A | 87 BPM | ||
6 Morceaux, Op. 83: II. Sur l'eau | Moritz Moszkowski, Seta Tanyel | D♭ Major | 1 | 3B | 74 BPM | ||
Requiem, Op. 9: In paradisum | Maurice Duruflé, Collegium Vocale Seoul | F♯ Major | 1 | 2B | 130 BPM | ||
Mīlestības Dziesma | Jāzeps Vītols, Youth Choir "Kamer...", Māris Sirmais | C Major | 2 | 8B | 171 BPM | ||
Preludio, op. 20: II. Allegro non troppo, Moderato | Heitor Villa-Lobos, Katja Zakotnik, Naila Alvarenga Lahmann | D♭ Major | 1 | 3B | 89 BPM | ||
Small Sky (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Distant | Misya | B Minor | 1 | 10A | 100 BPM |
Section: 0.682769775390625
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